On Monday, October 30th Saint Motel, the Prog Indie Pop Rock band out of Los Angeles, tore the roof from the newly minted Phoenix, Az music venue, The Van Buren. Originally planned to be held at Crescent Ballroom (a sister venue owned by the same consortium), the promoters smartly moved the show to the newer […]
After 10 years, Regina Spektor returned to Phoenix, Az on a small and limited month-long solo tour. Stopping at The Celebrity Theater, Spektor took the stage to a packed house full of what some consider to be the most die hard fans in the industry. The decade long wait was well worth it to all; […]
The NCAA March Madness always brings a party when the Final Four Championship comes to town, and this year was no different. Held in Phoenix, Arizona, the NCAA held their March Madness Capital One Jamfest Music Festival at Margaret T. Hance Park in downtown Phoenix, and featured Nathaniel Rateliff & the Night Sweats, Blink 182, […]
Alt Rock legends Garbage performing live at the Arizona State Fair in support of their latest album Strange Little Birds.
Calabrese kicked off their “I Wanna Be a Vigilante” tour at the Red Owl in Tempe, Arizona.
Happy Halloween! We’ve opened the crypt to bring you some of DOOM!’s spookiest past coverage! Alice Cooper’s 12th Annual Christmas Pudding was one surprise after another; mixing hard rock and gospel, magic and speed painting; sunbelt comedy and big-money auctions.
Alice Cooper’s 12th annual Christmas Pudding Show featured Zombie Santa and Johnny Depp.
Ivan Muñoz of Vigilante talks about bringing awareness to his audience via “artivism.” Also, rattle your neighbors with free songs by electropunk artists FIGO, professional industrial troll Caustic, & aggrotech up-and-comers BlakOpz and Ludovico Technique.
Amanda Palmer and The Grand Theft Orchestra brought the Theater Is Evil tour to the intimate Crescent Ballroom in Phoenix on Saturday. It was a night filled with laughter, tears, and hijinks with a stuffed tiger named Maxi.
Interview with Jason Lancaster of Go Radio
Ted Phelps talks about his new direction for Imperative Reaction, the new self-titled CD, industrial’s incestuous nature, and a *little* bit about dubstep.
My mission at Pittsburgh’s I:Scintilla show was to ask all the bands there Doom’s favorite question: In the event of a Zombie Apocalypse, what are your plans?
Seeing Dir En Grey is always somewhere between surgery and exorcism; they will yank things out of you whether you’re ready to face them or not.
Lonn of Twitch the Ripper talks what this synthpop duo is up to, what they’re going for, and the purity of raw, independent art.
When faced with disinterested, apathetic mainstream media and lazy or dishonest reporting, it’s become the responsibility of the people to cover what’s really happening.
Photos from the 2011 Pittsburgh Zombie Fest. Another year, another fake blood shortage in the city of Pittsburgh.
Shots from the Occupy Wall Street protests in New York City. All taken on October 12th, 2011.
These days, Patrick Stump is a lean, mean soul machine. Touring with a crack team of musicians, Patrick’s amazing vocals rock the dance-your-ass-off soul/synth/r&b/urban-pop-punk brew.
From the strange to the clever to the outright mind-bending, the furries came to Anthrocon dressed to impress.
Dubstep artist Datsik liberally doles out the high-fives and the bone-shaking bass to a full house in Pittsburgh.
What an amazing four days. There was so much to see, so much to do, so much to buy! So many people to talk to! So many, many, many panels to attend.
As I wandered through the four days of PCC 2011, I had the opportunity to ask attendees and guests, alike, how they’d handle what we all know is the impending Zombie Apocalypse. Here is what they had to say to this pressing question:
If you woke up tomorrow and it was the zombie apocalypse, what would you do?
Ken and Scott of The Crystal Method talk about their new songs, their new instruments, decapitated penguins, zombie raves, and accidentally pegging people with Rock Star water.
The genre-bending DJing duo talks about their new CD, the non-stop work of unsigned/unagented artists, and the joy of sledgehammers.