Ted Phelps talks about his new direction for Imperative Reaction, the new self-titled CD, industrial’s incestuous nature, and a *little* bit about dubstep.
When faced with disinterested, apathetic mainstream media and lazy or dishonest reporting, it’s become the responsibility of the people to cover what’s really happening.
Clint Carney of System Syn, Imperative Reaction and God Module talks about painting: his favorite mediums, his ongoing shows, and breaking new ground in mixed media.
If the police think beating you is a joke, what are you supposed to do? Stand stronger.
Ken and Scott of The Crystal Method talk about their new songs, their new instruments, decapitated penguins, zombie raves, and accidentally pegging people with Rock Star water.
Jim Semonik talks about the impact and future of the cancer benefit compilation Electronic Saviors, as well as his personal humanitarian/self-appointed musical therapist goals.
To say Braddock’s not a very nice area of Pittsburgh is a bit of an understatement. It’s the epitome of what happens to a mill town once the industry dries up: Crumbling buildings are frequently splashed with graffiti, windows are boarded up, and storefronts are in utter disrepair. Amidst the harshly aged homes and decay is the city block of shredded metal and crushed concrete that used to be UPMC Braddock
Electronic music artist End.user announced a surprise show via his Facebook literally ten hours before he was supposed to go on stage. Google said the venue was an eight and a half hour drive away, and I didn’t think twice.
City of the Dead was an informal birthday party/zombie cosplay/industrial-metal show for George Romero. (He didn’t show up, but that’s okay. We all sent him a giant card.)
Vampire ninja terrorist penguins . . . on roller skates.